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One of the most useful tools for novice and experienced Photoshop users is the ability to create and use a mask. As the name suggests, masks are areas of the image that remain “intact” while you edit the areas that they hide. Selecting the areas to mask is usually done by clicking and dragging a marquee around the areas you want to preserve. There are many variations of how and why you use masks. One example is to fix an image in its original format. Another example is to use masks to create special effects such as adding or removing objects or substituting other images.
This chapter describes the basic features of Photoshop layers. Layers let you control the way images interact with each other visually, and they give you more flexibility in all your editing and organizing tasks.
* * *
# The Photoshop training track
The Macintosh version of Photoshop is part of the Adobe Creative Suite, which includes the following applications:
* **Adobe Photoshop:** This workhorse program is used for image editing, graphic design, and page layout.
* **Adobe Illustrator:** Used for raster image design and the creation of vector graphics.
* **Adobe InDesign:** Used for page layout and formatting.
* **Adobe Acrobat:** Used for creating and formatting documents.
* **Adobe Dreamweaver:** Used for web design and authoring.
The Windows version of Photoshop is available only as part of the Adobe Creative Suite.
* * *
## Controlling How Layers Interact with Each Other
When you open a Photoshop document, the very first layer is called the active layer. The active layer determines which layer is the next object to be edited. From there, you can add layers to the document in a variety of ways:
* ****You can add a new layer directly by pressing Ctrl+T (⌘-T). This command is on the keyboard’s View menu.
* ****You can add a new layer by pressing Ctrl+N (⌘-N). This command is on the keyboard’s Edit menu.
* **You can add a new layer by pressing Shift+Ctrl+N (Shift+⌘-N).**
* ** **You can click on the New Layer icon (the little piece of paintbrushes) to the upper-right of the Layers palette and then
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Key Features for photos and web design
Let’s look at some the key features in Photoshop, and then compare them to Elements.
Image editing
Adobe Photoshop has a few advantages over Elements
Adobe Photoshop has more editing tools
Adobe Photoshop lets you save your projects, or “watches,” for reuse. Elements has no such ability.
There is a much wider variety of filters available in Photoshop. Elements comes with only one filter
Adobe Photoshop is optimized for the artistic edgework of photographs and design. Elements is more appropriate for the less skilled, who typically don’t use the features for artwork and are more interested in simply making their photos and designs look better.
Adobe Photoshop Elements helps you organize images in your computer.
Adobe Photoshop Elements is great for art-related works. You can use Photoshop for creative works, but Photoshop Elements is really optimized for straight photography.
Photoshop is more customizable, allowing you to change the amount of the image you see when you open it, for example. Elements lets you adjust the settings on the right side of the file, so you always see the full image.
Photoshop lets you create special effects, whereas Elements doesn’t.
Photoshop is not as fast as Elements and especially Photoshop’s batch processing features aren’t as fast as Elements’ batch processing features.
Both have powerful features for advanced editing and retouching
Both programs are easy to use. For example, Photoshop can open files from a flash drive, as long as you have the required drivers installed.
Elements allows you to use the same program to work on photographs, design mockups, web pages, icons, illustrations, and other artistic designs.
Elements lets you work on many different documents at once, whereas Photoshop is more focused on a single file.
Photo editing
Elements is not as fast as Photoshop
Adobe Photoshop has more editing tools.
Adobe Photoshop is more customizable
Photoshop lets you create special effects.
Elements lets you work on many different documents at once.
Elements uses the same name as a different program. You may be familiar with the word Photoshop because of the company’s better-known name: Adobe. However, it is also the name of the editor. Adobe Photoshop Elements is a different program. Though
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Q:
What does $1+1+1+…$ equal to?
In reading through my notes I came across a question that has a surprisingly simple answer: $1+1+1+…$ is equal to $\log_{e} 2$.
However, I can’t seem to find the logic behind it. And I’m not even sure if it is the simplest/best way to solve this problem. Any advice?
A:
The logarithmic function, $\log$, is defined by $\log(x) = \int_1^x \frac{1}{y} dy$, or $\log(x) = \sum_{n=1}^\infty \frac{(-1)^{n+1}}{n} x^n$. Now, using the fact that $\ln(2) = \frac{1}{2} \ln(2) + \frac{1}{2} \ln(2)$, we have that $1 + 1 + 1 + \cdots = \ln(2) = \frac{1}{2} \ln(2) + \frac{1}{2} \ln(2)$.
Because $\ln(2) = \int_1^2 \frac{1}{y} dy$, we have that $\frac{1}{2} \ln(2) + \frac{1}{2} \ln(2) = \frac{1}{2} \int_1^2 \frac{1}{y} dy + \frac{1}{2} \int_1^2 \frac{1}{y} dy = \int_1^2 \frac{1}{y} dy$. Plugging back in, we get $\frac{1}{2} \int_1^2 \frac{1}{y} dy + \frac{1}{2} \int_1^2 \frac{1}{y} dy = \int_1^2 \frac{1}{y} dy$, or $\frac{1}{2} \int_1^2 \frac{1}{y} dy + \frac{1}{2} \int_1^2 \frac{1}{y} dy = \frac{1}{2} \int_1^2 \frac{1}{y} dy + \frac{1}{2} \
What’s New in the?
The background description provided herein is for the purpose of generally presenting the context of the disclosure. Work of the presently named inventors, to the extent it is described in this background section, as well as aspects of the description that may not otherwise qualify as prior art at the time of filing, are neither expressly nor impliedly admitted as prior art against the present disclosure.
Referring now to FIG. 1A, in one known arrangement, a red light emitting diode (LED) 10 is coupled to a current source 12, a capacitor 14, and a transistor switch 16. An input port 17 receives a periodic driving signal 19, such as a sinusoid or triangle wave. When the input port 17 receives a sinusoidal signal, the current source 12 provides a current. The transistor switch 16 connects or disconnects the capacitor 14 to the current source 12 in response to an active low signal to enable or disable the capacitor 14. When the transistor switch 16 is enabled to be connected to the capacitor 14, the capacitor 14 provides energy stored during an on-time of the transistor switch 16 to the LED 10.
Referring now to FIG. 1B, in another known arrangement, a tri-colored (red, green, and blue) light emitting diode (LED) set 20 includes an LED 30 coupled to a current source 32, an inductor 34, and a transistor switch 36. A set of switches 38, 40, 42, 44, and 46 are selectively enabled or disabled to control the current provided by the current source 32 to the LED 30. For example, the switches 38, 42, and 44 are enabled, while the switches 40 and 46 are disabled, to provide energy to the LED 30 when the transistor switch 36 is enabled to be connected to the LED 30. A capacitor 48 is connected to the LED 30 to smooth current provided to the LED 30.
Referring now to FIG. 2, in another known arrangement, a pulse width modulated (PWM) controller 50 has an output port 52 that receives an input signal 54 from a battery. A current source 56 provides energy to one or more light emitting diodes 58 when enabled. The PWM controller 50 also provides an active-low PWM signal 60 to the current source 56 and a gate driver circuit 62. The gate driver circuit 62 receives the PWM signal 60 and outputs a gate-enable signal to a pair of transistors 64 and 66. Energy is provided from the current source 56 to the transistors 64 and 66 in response to
System Requirements:
AMD FX series or higher processor.
DirectX 11 video card, or more recent version is recommended.
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